THE SANTERS BAND INTERVIEWS |
2001 saw the reunion of Canadian trio SANTERS, with the release of "Cold Fusion" - a 14 track 'best of' with a few unreleased gems included as well. A few months back I sent questions for guitarist / singer / songwriter Rick Santers, bassist Rick Lazaroff, and drummer Mark Santers to get a complete Santers retrospect. [Oh yeah, see my old interviews for another exclusive with Rick Santers!]. Anyway, here's the interviews with Rick, Rick and Mark!
For more on SANTERS check out www.santers.com OR to check out "Cold Fusion" go to www.bullseyecanada.com .
RICK SANTERS
A: The idea for Cold Fusion came from the realization that our North American and specifically Canadian fans had not seen the SANTERS masters released domestically for a long time. And that included rock radio too. Many SANTERS fans simply weren't aware of the Japanese and European releases. So, we wanted to create a package that would appeal to our North American fans. It made sense to release the SANTERS masters to fans through a "Best Of" CD. As an added bonus we also included three tracks from our "Top Secrecy" album that was never released here. While compiling "Cold Fusion" I also found some rare photos and some early, never before released SANTERS recordings(from the "Shot Down In Flames" sessions) that I thought would be a nice way to round out the CD. All in all I think it's a really comprehensive CD that features many classic SANTERS tracks, plus unheard material.
A: Well, I had four albums to select from, "Shot Down In Flames", "Racing Time", "Guitar Alley" and "Top Secrecy", so to be fair I picked three tracks from each plus the two bonus tracks. Everyone seems to have their own personal faves so I referred to the songs we perform in our live set, as those always seemed to rise to the top of the list in the ears of our fans. I love all these songs they're my "babies"!
A: Well, "Top Secrecy" was pretty much finished around the time I started working with TRIUMPH. Only two tracks, "Come and Get It" and the title track "Top Secrecy" had only rough mixes. I put final mixes for those two songs together in preparation for the SANTERS IV Box Set. The "Top Secrecy" album finally saw the light of day because of the Japanese Box Set release. And in fact it was because of "Top Secrecy" that the Box Set materialized, kind of a catch 22. I originally agreed for the first three albums to be released on CD in Japan and it was only after we started talking about bonus tracks that I sent them the "Top Secrecy" album, which they couldn't believe we had and was never released, so they insisted on having the entire album. Our Japanese label then decided to make all the CD's available together as a Box Set. Which I thought was a great idea. It was from the success of the Box Set that our European label decided to release "Top Secrecy" in Europe because of the positive fan reaction.
A: When I first started writing songs I delved into writing very progressive material. I was very much influence by the British prog scene at the time, Yes, Genesis, and Gentle Giant. This material was fun to write because the sky was the limit. It was a way to explore a lot of styles and textures without having to restrict my songwriting parameters. Eventually, I started to focus in on a style that I felt comfortable writing and performing in and that grew into the birth of SANTERS. "In Foreign Skies" and "Life In My Hands" were both written when I was about eighteen and recorded just before the sessions began for the "Shot Down In Flames" album. Once all the "Shot Down In Flames" tracks were done I had to choose which songs would appear on the record. It was hard to pick but in the end we settled on the first half of the album with the more rock "song" format and the second half using more of the "progressive" tunes. "In Foreign Skies" and "Life In My Hands" were by far the most progressive sounding for what the album was like as a whole, and so they didn't make the album. Plus, back in the days when vinyl was king you couldn't put more than forty minutes of music on an album because you'd lose a lot of sound quality and volume level.
A: I have a lot of songs in different states of completion, and some people might even think that they should be released, but I see them as sketches. I'd rather work on new songs. That's what's inspiring me right now.
A: We've released "Cold Fusion" in select stores and to some international distributers and the response has been excellent so far. We've just signed a deal with Bullseye Records of Canada and "Cold Fusion" is scheduled to be released across the country on May 21, 2002.
A: I guess there was a certain amount of apprehension before we got together to rehearse (fear of the unknown and all), but we've always had a healthy respect for one another, as human beings and as musicians, so, in fact once we stuck the first chord together again it was smiles all around. I think the hiatus has really been a good thing for all of us. We've all continued to pursue our love of music, and the miles we've put behind us seem to have given us a cohesion that is even stronger than we had before. I think in the past the diversions of the road sometimes got in the way when we were playing together as a band. Now, it's very clear that the music's the important thing and that's super positive for me, and I think for Mark and Laz too.
The fan reaction and support to our reunion has really been fantastic. It great to talk to people who were fans in the beginning but never got a chance to see us live, and even those who saw every show we played when we came to town. It's awesome for them that we're playing together again, and some are getting a chance to see us for the first time, which they never thought would happen. It's very gratifying to get responses like that, especially from younger fans who are really into "live" music. With the advent of "watching" music on TV as opposed to "listening" to music or grooving to a live scene, it's awesome to see the enthusiasm people have for bands who write their own songs and sing and play their own instruments - live! What a concept! We're booking more shows in Ontario right now and we're also working on supporting "Cold Fusion" in other parts of Canada as well.
A: I'm writing the album right now. The songs reflect a sense of fun and energy that was the cornerstone of the SANTERS sound. In fact, I want the songs on the new album to show the energy that the band puts out when we play live. We tapped into that energy on some songs in the studio on the earlier albums and that's the kind of sound I want the new SANTERS album to have.
A: A lot of it is ready to record. We've just got to get our schedules in sync and lay it down.
A: We usually start with selective live gigs, but then that can turn into a tour, so we'll see.
A: Yes, definitely! I love to write songs and record them in the studio. It's something I think I'll always do until I die because it's a part of who I am and how I express myself. I also love to explore new musical ideas and avenues and that's what my solo career is all about. When I write songs I don't intentionally write SANTERS songs, I simply write songs. It's only after I let them channel themselves do I take a step back and ask myself "what kind of song is this?" And sometimes it's obvious to me that they would sound just great with Mark, Laz and myself hammering them out. The others get and deserve more of an open palette to bring them to life.
A: I think we all have very strong and loyal fans. That being
said I think it's important to grow artistically and try to
reach new fans as well. I'm very flattered when I get Emails
from people who are just discovering SANTERS for the first time
and say they can't believe our first albums were recorded in the
'80's because they don't sound like the '80's. That's a
testament to the fact that we have been, are and always will be
masters of our own musical destiny. That is what's important to
us as artists. Trends and styles are always changing way too
quickly anyway.
Q: Has the rejuvenation of the older bands played any part in
your decision to get the original Santers band back together,
play and record again?
A: Bands rejoining isn't a few phenomenon. It's what the band does after rejoining that matters. If you said to me "Hey Rick, why don't you get SANTERS back together and just play all the old songs again?" That really wouldn't interest me on it's own. There's no challenge in that. But, writing a bunch of new material that SANTERS would do a great job recording, and releasing a new album with all the original members.... now that's exiting to me. It's a great thing when bands find it in themselves to rekindle the passion for their music, but that's a very personal commitment that a artist needs to make, to themselves and to the other band members. The SANTERS reunion is something that evolved very naturally. We've all been writing and recording with other artists and doing solo albums over the past few years and I think we've got a deeper appreciation for each other now, and that's what's motivated our getting back together.
A: I started santers.com a few years back, but it's Rick
Lazaroff who has developed into a fantastic web designer who
convinced me that we needed to update the SANTERS site and he
wanted to do it. He runs www.wasaga.com
and has been specializing in web design for many years. So,
he and I got together and designed a web site that would give
fans a place to get up to date information about the band,
concert announcements, news, new music etc. It's also a place
where you can listen to and buy SANTERS music.
Q: How do you feel about the internet's use on the music scene
these days, where as in the old days you had to rely more on
record companies and pr people. !?
A: The Internet is great resource tool to get fast and up to
date information. I think it's very cool to check out bands and
their music online and support them by buying their CD's online,
especially from bands who want to remain independent from the
major label thing. I think it's a great addition to live
concerts, radio, TV and the press.
Q: What are you listening to these days? Old, new? Any current
favorite albums?
A: I'm always checking out new bands and a lot of them are sitting right square in the hard rock vein, and it's nice to "hear" again. Some of the new bands that I'm listening to that weave this sense of melody and hard rock are Creed, Puddle of Mudd and Nickelback. In my opinion there are only two types of music, good music and bad music. Good music is inspired and reflects the musicians passion. Bad music is dull and boring and predictable because it's uninspired and has another agenda to meet which is not passionate. So, it doesn't matter to me if music is so called "old" or "new" I listen for the passion, the creativity and the expression. That's where I get a lot of my inspiration from, good music. I think the survival of music depends upon people listening for good music with their ears... not less with their eyes.
A: John Bonham, Ian Paice, Neil Peart, Tommy Aldridge, Bill Bruford, Buddy Rich, Simon Kirke, Jack DeJohnette.
A: Beethoven, Beatles, CCR, Johnny & Edgar Winter, Deep Purple, The Guess Who,Yes, King Crimson, Rush, AC/DC
A: I can't pick a top ten because there's just too many great albums. It's like apples and oranges.
A: We pretty much played music together from day one so there really wasn't any other gigs.
A: Our musical influences were similar growing up so as far as personalities and original music go, it was very easy to agree on just about everything, except for the odd flying beer bottle! I'd say we got along well compared to some of the stories I've heard from other bands. For instance, how could you have a fist fight with the drunken bass player at 4:00 am after a raging party and then go up on stage that night and rock? I just don't get it!
A: John Bonham, Ian Paice, Neil Peart, Tommy Aldridge, Bill Bruford, Buddy Rich, Simon Kirke, Jack DeJohnette.
A: Beethoven, Beatles, CCR, Johnny & Edgar Winter, Deep Purple, The Guess Who,Yes, King Crimson, Rush, AC/DC
A: I can't pick a top ten because there's just too many great albums. It's like apples and oranges.
A: We pretty much played music together from day one so there really wasn't any other gigs.
A: Our musical influences were similar growing up so as far as personalities and original music go, it was very easy to agree on just about everything, except for the odd flying beer bottle! I'd say we got along well compared to some of the stories I've heard from other bands. For instance, how could you have a fist fight with the drunken bass player at 4:00 am after a raging party and then go up on stage that night and rock? I just don't get it!
Q: Rick wrote all the Santers music, did you [do you] ever write at all?
A: Rick brought the ideas to the table and collectively we worked on the intro ideas, solo sections, arrangements etc. I do write and look forward to creating new songs together again.
A: Shot Down in Flames, Caught in the Wind, Paths of Heart, Time after Time, Mistreatin' Heart, Backstreets, Mystical Eyes, Two Against the World, Dog without a Home, Road to Morocco, Can't Shake You, Black Magic, Baby Blue, Dreaming, Come and Get it, Top Secrecy, Leigh Ann..... just to name a few.
A: All 4 of them! Again, it's like apples and oranges because all the albums individually represent different stages of development; be it musicianship, attitude, energy, lyric ideas etc.
A: Well the Ozzy Osbourne tour was definitely the highlight for us! I can still remember going up on stage at the Ottawa Civic Arena and just thinking " This is unbelievable! ". We were really flying musically at that point, you know, on our way so to speak. On the last date at the PNE Coliseum, Ozzy's crew turned on the house lights before the encore was done, I don't know if they felt threatened or if they were playing a joke, but we sure had the fans that night. The U.K. tour after the Racing Time album was special as well because the people and the attitudes were much different from those in North America. We had great responses and the fan base still exists today. I always thought our music was a little more Europe friendly. Those Brits sure do know how to how to have fun. Of course the southern states enjoyed our brand of rock also and those hot climates are great for Rock & Roll. New York state, Buffalo, Rochester......do you have a couple of weeks?
A: I worked with a female singer called Carmelle for about a year, who was a super person and a great performer. Laz and I teamed up and formed Cold Shot with Steve Shelski and later re-formed Bratt with Darlene Watters singing. That was a fun band; played a lot of rippin' rock tunes.
A: I was introduced to Carl Dixon through Steve when we played in Cold Shot. He put together a band called Rough And Ready and toured briefly. Then it evolved into the Carl Dixon Band.
A: Carl asked me to come in and do a bunch of background vocals, which turned out great and gave me a lot of confidence.
A: Taste of Love, Run Reckless, More than a Memory, Love is Waiting.
A: Hey Operator was a no brainer for me because it could have easily been a Santers tune so live that one always worked. Run Reckless was the tune that shifted the whole band into 5th gear. Devil's Deck is another.
A: More stories eh? Well we were always bad boys at Lu-Lu's a club I really liked. We did shows there with Bad Company, Alanna Myles, Sass Jordan, Max Webster, Steppenwolf, Nazareth just to name a few, but the '93 tour in Germany had to be the highlight. We played shows in all different types of clubs and met a lot of great people. I remember almost getting arrested in Winterthur, Switzerland with Mike Hall (guitar) and Howie Bertolo (Keys). We were walking down the street, and next thing you know the Swiss cops race up to us, jump out of the cruiser and start hassling us. They thought we had just broken in to a local business because we fit the description. Thank God I can speak German because if I didn't things could've gotten very ugly. Do you have another couple of weeks?
A: Recording Into the Future was a different approach altogether. Carl was after the Phil Spector sound and doubling the drum tracks was very challenging since a lot of the material was new to me and rehearsal time was almost nil. All of it was done with just myself and Carl engineering.
A: Apples and oranges again, both rock but in a different way. Fave tracks- Into the Future, Hot Streak (Zeppelinish funk rock) Strange way to Live (rippin'solo section)Point of no Return, Busted and the RobinTrower classic River.
A: I played on some tracks that made it to Emm Gryner's " Distrust it " album and various unreleased demos.
A: It was great to play the old stuff again and we all something new to the songs because we all had newer influences. The new record presents a whole lot of exciting challenges and the maturity of the musicians will shine through.
A: I'm ready for the world tour as long as the guarantees are there and all the merchandising is in place! By the way, when will the limo driver show up at my front door to take me to the airport?
A: Jaco Pastorius. Jack Bruce. Miroslav Vitous. Dave Holland.
A) I play guitar a bit but I wouldn't call myself a guitarist. I actually started playing drums as a kid. My father is Alex Lazaroff, well known Canadian Jazz drummer extrodinaire. I switched to bass when I was 10.
A) My earliest influences were the Beatles and all the Soul and R&B recordings from Motown and Stax Records. Then Hendrix and Cream. Then on to the prog bands of the seventies; Yes, King Crimson and Gentle Giant. And all through that was a steady diet of Jazz. Miles Davis, Chick Corea, Thelonious Monk. Top albums in no particular order. "Milestones", Miles Davis. Infinite Search, Miroslav Vitous (the best bass album ever recorded). "Close to the Edge", Yes. "Court of the Crimson King, King Crimson. "Weather Report", Weather Report's first release.
A) I played in Rock Bands, Blues Bands, Dance and Funk bands; I think they called it Disco. The most notable band I played for was the Snakes, a blues band featuring Fred Mandel on keys who has gone on to perform and record with Queen, Elton John and Alice Cooper.
A) Rob Seagrove? Oh yeah he was a pimp that use to work out of Montreal. No hold on. That was somebody else. I played with Rob in a cover band in the seventies. We played crappy commercial stuff but even then we were throwing in some fusion to keep ourselves amused. I remember playing Scatterbrain with him, a wild odd metre tune off Jeff Beck's Blow by Blow. Rob's a great guitar player and a nice guy. I lost touch with him when I moved a couple of times. Tell him to email me.
A) I like High Risk, Too Young to Die from Guitar Alley and am especially fond of the live tracks on the euro release of Top Secrecy. For me live is where it's at. That's how the band sounds.
A) Mark's got great metre and is solid. That makes it easy for me to lock in. You can't play a game of push and pull. Others drummers have commented on how easy it is to play with me. It's just a matter of adjusting to their individual feel and if they have good metre it works quite well.
A) Yes I do. Mostly instrumental stuff. I would say mostly Jazz influenced atmospheric stuff. You know, great background music for a travel show or something. I plan on doing a real self indulgent solo CD if I can ever get my home studio completed.
A) I guess the Ozzy tour and the tour of England in support of Magnum. The shows at Massey Hall for sure. That would be my favorite venue to play.
A) I played in several cover bands after our split. In 1990 I recorded a Jazz LP with the Orhan Demir Trio. It got great reviews in the U.S. from some fine publications. He's an amazing jazz guitarist from Turkey who lives in Toronto now. Hopefully I will get to do some more work with him.
A) I also play in Jazz combo playing mostly standards and hope to record some of that and hopefully do another CD with Orhan Demir and maybe finally get a solo CD completed. That would be about it.
Interview: © Kevin J. Julie (Universal Wheels) '02